História do objeto |
por 1738 date QS:P,+1738-00-00T00:00:00Z/7,P1326,+1738-00-00T00:00:00Z/9 : Jacques I, Prince de Monaco, Duc de Valentinois (1689-1751), Paris
1751: herdado por Honoré III, Prince de Monaco (1720-1795) (?)
por 15 de julho de 1802date QS:P,+1802-07-15T00:00:00Z/7,P1326,+1802-07-15T00:00:00Z/11 : Féréol de Bonnemaison, Paris
entre 15 de julho de 1802 e 17 de julho de 1802date QS:P,+1802-07-00T00:00:00Z/10,P1319,+1802-07-15T00:00:00Z/11,P1326,+1802-07-17T00:00:00Z/11 : venda da colecção de Féréol de Bonnemaison em Lebrun, Paris, cat. nº 43 (como ‘Rembrandt. 1660. Le propre portrait de Rembrandt, la tête couverte d’une tocque noire, & vêtu d’une robe de couleur brunâtre, de grandeur naturelle & vu à mi-corps. Ce Tableau capital, & du plus beau faire de Rembrandt, sort de la collection du feu duc de Valantinois. – Haut.r 30 pouces, larg.r 25. T.’)
por 1825date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : William Waldegrave, 1st Baron Radstock (1753-1825)
13 de maio de 1826: comprado por Alexander Baring, 1st Baron Ashburton (1774-1848), na venda da colecção de William Waldegrave, 1st Baron Radstock em Christie’s, Londres, cat. nº 31 (como ‘Rembrandt. Portrait of Rembrandt, by himself. An admirable Picture. A black Hat or Cap, placed obliquely on the head, gives a very brilliant relief to the countenance, which is lighted up with rich effect. The flesh exhibits every variety of tint, harmoniously blended: - a true representation of nature. From the collection of the Duc de Valentinois - 30.5 inches by 25.5’)
1848: herdado por Bingham Baring, 2nd Baron Ashburton (1799-1864), de Alexander Baring, 1st Baron Ashburton
1864: herdado por Francis Baring, 3rd Baron Ashburton (1800-1868), de Bingham Baring, 2nd Baron Ashburton
1868: herdado por Alexander Baring, 4th Baron Ashburton (1835-1889), de Francis Baring, 3rd Baron Ashburton
1889: herdado por Francis Denzil Edward, 5th Baron Ashburton (1866-1938), de Alexander Baring, 4th Baron Ashburton
por 1908date QS:P,+1908-00-00T00:00:00Z/7,P1326,+1908-00-00T00:00:00Z/9 : Arthur J. Sulley & Co. (
negociante de arte), Londres
por 1909date QS:P,+1909-00-00T00:00:00Z/7,P1326,+1909-00-00T00:00:00Z/9 : Charles Sedelmeyer (
negociante de arte), Paris
1909: comprado por Benjamin Altman (1840-1913), Nova Iorque, de Charles Sedelmeyer, Paris
1913: legado para Metropolitan Museum of Art, New York, por Benjamin Altman, New York
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Exposições |
[Pictures by Italian, Spanish, Flemish, Dutch, and English masters], British Institution, Londres, junho de 1829, cat. nr 10.
Exhibition of Works by the Old Masters and by Deceased Masters of the British School. Winter Exhibition, Royal Academy of Arts, Londres, 1890, cat. nr 145.
The Art of Rembrandt, The Metropolitan Museum of Art, Nova Iorque, 21 de janeiro de 1942–?, nenhuma catálogo.
Rembrandt, The Metropolitan Museum of Art, Nova Iorque, 1952, nenhuma catálogo.
Portrait of the Artist, The Metropolitan Museum of Art, Nova Iorque, 18 de janeiro de 1972–7 de março de 1972, Cat.no. 8.
Rembrandt/Not Rembrandt in The Metropolitan Museum of Art, 10 de outubro de 1995–7 de janeiro de 1996, The Metropolitan Museum of Art, Nova Iorque, Cat.no. 15.
The Age of Rembrandt, Dutch paintings in the Metropolitan Museum of Art, The Metropolitan Museum of Art, Nova Iorque, 18 de setembro de 2007–6 de janeiro de 2008, nenhuma catálogo.
Rembrandt by himself/Rembrandt zelf, 5 de junho de 1999–5 de setembro de 1999, National Gallery, Londres, 25 de setembro de 1999–9 de janeiro de 2000, Koninklijk Kabinet van Schilderijen Mauritshuis, Haia, Cat.no. 80.
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Referências |
Metropolitan Museum of Art, as Self-Portrait, altura: 80,3 cm; largura: 67,3 cm dimensions QS:P2048,80.3U174728 dimensions QS:P2049,67.3U174728 .
RKDimages, nº da obra 29850, como Self-Portrait, altura: 80,3 cm; largura: 67,3 cmdimensions QS:P2048,80.3U174728 dimensions QS:P2049,67.3U174728
Web Gallery of Art, como Self-Portrait, altura: 80 cm; largura: 67 cmdimensions QS:P2048,80U174728 dimensions QS:P2049,67U174728 .
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