Lista de artistas de Vanguarda

Origem: Wikipédia, a enciclopédia livre.
Pablo Picasso em 1962.

Avant-garde (pronúncia em francês: ​[avɑ̃ ɡaʁd]).[1] ou Vanguarda é um termo originário da língua francesa usado em vários idiomas para se referir a pessoas ou obras inovativas ou experimentais, mas que particularmente respeitam a arte e a cultura em seu processo.

A vanguarda representa uma demolição das barreiras do que é aceito como norma ou status quo, principalmente na área cultural. A noção da existência da vanguarda é creditada por alguns como sendo uma tendência irmã do modernismo, mas diferente do pós-modernismo. O pós-modernismo sustenta que a era da constante aniquilação de fronteiras não está mais entre nós e que a vanguarda tem pouca ou nenhuma aplicabilidade na era da arte pós-moderna.

Artes visuais[editar | editar código-fonte]

Retrato de Tarsila do Amaral.
Henri Matisse, 1933, foto por Carl Van Vechten
Joan Miró 1935, Foto por Carl Van Vechten

Poesia, Literatura e Teatro[editar | editar código-fonte]

James Joyce, c. 1918, Foto por C. Ruf, Zurich
Carl Van Vechten, Retrato de Gertrude Stein, 1934

Arquitetura[editar | editar código-fonte]

Frank Lloyd Wright, 1954, foto: Al Ravenna, New York World-Telegram and Sun

Música[editar | editar código-fonte]

Igor Stravinsky, 1921
Duke Ellington 1965 em turnê, Frankfurt, Alemanha.
Philip Glass, 1993 em Florença.
Steve Reich, 2006
Buckethead

Dança e Coreografia[editar | editar código-fonte]

Isadora Duncan performando. Foto de Arnold Genthe ca. 1915-1918
Martha Graham, foto de Yousuf Karsh, 1948

Cinema e Fotografia[editar | editar código-fonte]

Salvador Dalí e Man Ray em Paris, em 16 de junho de 1934, foto por Carl Van Vechten
Jonas Mekas, artista lituano tido como o patrono do cinema de vanguarda estadunidense.

Ver também[editar | editar código-fonte]

Referências

  1. «Avant-garde definitions». Dictionary.com. Lexico Publishing Group, LLC. Consultado em 14 de março de 2007 
  2. See Claudia Schmuckli: ‘Chronology and Selected Exhibition History,’ in Joseph Beuys: Actions, Vitrines, Environments (Tate, 2005).This account of Beuys’s biography is indebted to Schmuckli’s chronology.
  3. "Constantin Brancusi" Arquivado em 2006-12-20 no Wayback Machine at brainjuice.com. (Accessed March 27, 2007.)
  4. Artcyclopedia - Links to Braque's works and information
  5. Giorgio de Chirico in the Museum of Modern Art
  6. «De Stijl». Tate Glossary. The Tate. Consultado em 31 de julho de 2006 
  7. Curl, James Stevens (2006). A Dictionary of Architecture and Landscape Architecture Second ed. [S.l.]: Oxford University Press. ISBN 0-19-860678-8 
  8. Jean Dubuffet at the Museum of Modern Art (MoMA)
  9. Calvin Tomkins: Duchamp: A Biography.
  10. Naum Gabo at the Tate Gallery Archive
  11. [1]
  12. James Lord (1997) Giacometti: A Biography, Farrar, Straus and Giroux* Alberto Giacometti. Kunsthaus Zürich, 2001; New York, The Museum of Modern Art, 2001-2002.
  13. Guggenheim Museum biography Arquivado em 2008-05-09 no Wayback Machine
  14. Hajo Düchting. Wassily Kandinsky 1866–1944: A Revolution in Painting. (Taschen, 2000). ISBN 3-8228-5982-6
  15. Cotter, Holland. «ART IN REVIEW; Allan Kaprow and Robert Watts -- 'Experiments in the Everyday'». The New York Times 
  16. Willem de Kooning, Britannica.com, p1
  17. Mayakovsky, Vladimir; El Lissitzky (2000). For the Voice (Dlia golosa). [S.l.]: The MIT Press. ISBN 0-262-13377-6 
  18. «Guggenheim: Kazimir Malevich». Consultado em 9 de fevereiro de 2018. Arquivado do original em 12 de maio de 2008 
  19. http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A3787
  20. Hilary Spurling. The Unknown Matisse: A Life of Henri Matisse, Vol. 1, 1869-1908. London, Hamish Hamilton Ltd, 1998. ISBN 0-679-43428-3.
  21. Hans Locher: Piet Mondrian. Colour, Structure, and Symbolism. Bern-Berlin: Verlag Gachnang & Springer, 1994. ISBN 978-3-906127-44-6
  22. Review in Sculpture Magazine
  23. Barnett Newman Selected Writings and Interviews, (ed.) by John P. O'Neill, University of California Press, 1990.
  24. Roxana Robinson. 1990. Georgia O'Keeffe: A life. Bloomsbury, London. ISBN 0-7475-0557-8
  25. Oldenburg Biography at the Guggenheim Museum Arquivado em 2003-10-07 no Wayback Machine
  26. Piper, David. The Illustrated History of Art, ISBN 0-7537-0179-0, p460-461.
  27. Ad Reinhardt bio at Guggenheim Museum site Arquivado em 2005-02-07 no Wayback Machine
  28. Frank Stella Biography, Guggenheim Museum Arquivado em 2006-04-27 no Wayback Machine
  29. Wolf Vostell at the Museum Ludwig in Cologne
  30. Andy Warhol at the Museum of Modern Art (MoMA)
  31. http://www.allmusic.com/artist/albert-ayler-p6036/biography Albert Ayler Biography at AllMusic
  32. http://www.allmusic.com/artist/claude-debussy-q7223 Information about Claude Debussy
  33. http://www.classical.net/music/comp.lst/ives.php Charles Ives at Classical Net
  34. http://www.allmusic.com/artist/igor-stravinsky-q8016/biography Stravinsky bio at Allmusic
  35. «Meshuggah». Nuclear Blast. Consultado em 10 de junho de 2008. Arquivado do original em 10 de maio de 2008 

Bibliografia[editar | editar código-fonte]

  • Cage, John. 1961. Silence: Lectures and Writings. Middletown, Connecticut: Wesleyan University Press. Unaltered reprints: Weslyan University press, 1966 (pbk), 1967 (cloth), 1973 (pbk ["First Wesleyan paperback edition"], 1975 (unknown binding); Cambridge, Mass: MIT Press, 1966, 1967, 1969, 1970, 1971; London: Calder & Boyars, 1968, 1971, 1973 ISBN 0-7145-0526-9 (cloth) ISBN 0-7145-1043-2 (pbk). London: Marion Boyars, 1986, 1999 ISBN 0-7145-1043-2 (pbk); [n.p.]: Reprint Services Corporation, 1988 (cloth) ISBN 99911-780-1-5 [In particular the essays "Experimental Music", pp. 7–12, and "Experimental Music: Doctrine", pp. 13–17.]
  • Cope, David. 1997. Techniques of the Contemporary Composer. New York, New York: Schirmer Books. ISBN 0-02-864737-8.
  • Mauceri, Frank X. 1997. "From Experimental Music to Musical Experiment". Perspectives of New Music 35, no. 1 (Winter): 187-204.
  • Meyer, Leonard B. 1994. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Second edition. Chicago: University of Chicago Press. ISBN 0-226-52143-5
  • Nicholls, David. 1998. "Avant-garde and Experimental Music." In Cambridge History of American Music. Cambridge and New York: Cambridge University Press. ISBN 0-521-45429-8
  • Nyman, Michael. 1974. Experimental Music: Cage and Beyond. New York: Schirmer Books. ISBN 0-02-871200-5. Second edition, Cambridge & New York: Cambridge University Press, 1999. ISBN 0-521-65297-9
  • A. L. Rees, A History of Experimental Film and Video (BFI, 1999).
  • Malcolm Le Grice, Abstract Film and Beyond (MIT, 1977).
  • Scott MacDonald, A Critical Cinema, Volumes 1, 2 and 3 (Berkeley: University of California Press, 1988, 1992 and 1998).
  • Scott MacDonald, Avant-Garde Film: Motion Studies (Cambridge: Cambridge University Press, 1993).
  • James Peterson, Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema (Detroit: Wayne State University Press, 1994).
  • Jack Sargeant, Naked Lens: Beat Cinema (Creation, 1997).
  • P. Adams Sitney, Visionary Film: The American Avant-Garde, (New York: Oxford University Press, 1974).
  • Michael O’Pray, Avant-Garde Film: Forms, Themes and Passions (London: Wallflower Press, 2003).
  • David Curtis (ed.), A Directory of British Film and Video Artists (Arts Council, 1999).
  • David Curtis, Experimental Cinema - A Fifty Year Evolution. (London. Studio Vista. 1971)
  • Wheeler Winston Dixon, The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema. (Albany, NY. State University of New York Press, 1997)
  • Wheeler Winston Dixon and Gwendolyn Audrey Foster (eds.) Experimental Cinema - The Film Reader, (London: Routledge, 2002)
  • Stan Brakhage. Film at Wit's End - Essays on American Independent Filmmakers. (Edinburgh, Polygon. 1989)
  • Stan Brakhage. Essential Brakhage - Selected Writings on Filmmaking. (New York, McPherson. 2001)
  • Parker Tyler, Underground Film: A Critical History. (New York: Grove Press, 1969)
  • Saunders, Frances Stonor, The cultural cold war: the CIA and the world of arts and letters (New York: New Press: Distributed by W.W. Norton & Co., 2000) ISBN 1-56584-596-X
  • O'Connor, Francis V. Jackson Pollock [exhibition catalogue] (New York, Museum of Modern Art, [1967]) OCLC 165852
  • The Philosophy and Politics of Abstract Expressionism 1940-1960 Cambridge University Press, Cambridge, United Kingdom, 2000 ISBN 0-521-65154-9
  • Tapié, Michel. Hans Hofmann: peintures 1962 : 23 avril-18 mai 1963. (Paris: Galerie Anderson-Mayer, 1963.) [exhibition catalogue and commentary] OCLC: 62515192
  • Tapié, Michel. Pollock (Paris, P. Facchetti, 1952) OCLC: 30601793
  • Jeffrey Wechsler (2007). Pathways and Parallels: Roads to Abstract Expressionism. New York: Hollis Taggart Galleries. ISBN 0-9759954-9-9 
  • Graham, Martha (1991). Blood Memory: An autobiography. NYC: Doubleday. ISBN 0-385-26503-4 
  • Freedman, Russell (1998). Martha Graham: A Dancer's Life. NYC: Clarion Books. ISBN 0-395-74655-8 
  • Horosko, Marian (2002). Martha Graham: The Evolution of Her Dance Theory and Training. Gainesville, FL: Univ. Press of Florida. ISBN 0-8130-2473-0 
  • Morgan, Barbara (1980). Martha Graham: Sixteen Dances in Photographs. [S.l.]: Morgan & Morgan. ISBN 0-87100-176-4 
  • Tracy, Robert (1997). Goddess - Martha Graham's Dancers Remember. Pompton Plains, NJ: Limelight Editions. ISBN 0-87910-086-9 
  • Bird, Dorothy; Greenberg, Joyce (2002). Bird's Eye View: Dancing With Martha Graham and on Broadway reprint ed. Pittsburgh, PA: Univ. of Pittsburgh Press. ISBN 0-8229-5791-4 

Ligações externas[editar | editar código-fonte]