Usuário(a):Luan Farigotini/Testes

Origem: Wikipédia, a enciclopédia livre.
Academia de Letras, Artes e Ciências do Centro-Sul do Paraná
(ALACS)
Lema "Fons et Origo (Fonte e Origem)"
Tipo Associação literária
Fundação 23 de novembro de 2002 (21 anos)[1]
Sede Irati Paraná
Membros Cf. Index Academicorum [1]
Línguas oficiais Português
Presidente e Vice Herculano Batista Neto e Luiza Nelma Fillus
Sítio oficial alacs.org.br

Academia de Letras e Artes do Centro-Sul (ALACS) é uma entidade cultural com estatuto e regimento próprios. Tem por finalidade a preservação, o desenvolvimento e a divulgação das letras, artes e ciências, promovendo a integração regional, o avanço do processo educacional, o cultivo das humanidades e da cultura da paz. São integrantes da Academia os seguintes municípios: Imbituva, Prudentópolis, Rio Azul, Mallet, Teixeira Soares, Guamiranga, Fernandes Pinheiro, Ivaí, São João do Triunfo, Ipiranga, Inácio Martins e Irati. Foi instalada em 22 de novembro de 2002.

História[editar | editar código-fonte]

Fundação[editar | editar código-fonte]

Estrutura e Admissão[editar | editar código-fonte]

Sede[editar | editar código-fonte]

Acadêmicos[editar | editar código-fonte]

Patrono Fundador Sucessores
1 Virgílio Moreira Luiza Nelma Fillus
2 Mercedes Braga José Maria Orreda Gilmar Carvalho Cruz
3 Dom Pedro Filipak Francisco Filipak Rogério Carlos Bom
4 Epaminondas Camargo Naiade Ribeiro de Camargo
5 Pe. Wenceslau Szuniewicz Herculano Batista Neto
6 Ruy Christovan Wachowicz Rosanna Rita Silva Pedro de Almeida Garret Sobrinho???????
7 Madre Anatólia Tecla Bodnar Elenita Woiciechowski Caterina Balsano Gaioski
8 César Lattes Michiko Nakai de Araújo
9 Foed Castro Chamma Edina Aparecida Cabral Bührer
10 Júlio Cesar de Souza Araújo Sebastião Aglacir Ignes de Miranda Clayton Aristócrates Molinari Burgath
11 Geraldo Ribeiro de Carvalho Luiz Alberto Conti VACANTE
12 Pe. Marcelo Mota Carneiro Iolete Bini Cordeiro VACANTE
13 Silvio Francisco Ribeiro Ingrid Aparecida Ditzel Felchak
14 Dário Araújo e Silva (Primo Araújo) Claudete Basen
15 Eny Caldeira João Maria da Silva Leandro Ditzel
16 Daisaku Ikeda Antonio José de Araújo
17 Antonio Petrek Sandra Maria Mosson
18 Rosala Garzuze Alzira Dembiski Bueno João Wilson Faustini
19 Oscar Leandro Maria Aparecida Chuchene Baptista Edson Santos Silva
20 Fidêncio Lemos do Prado Cleusi Teresinha Bobato Stadler
21 Lesek Duszczak Maria Regina Ditzel Luiz Vieira
22 João Wasileswski Denise Stoklos
23 Miguel Bacun Dulce Osinski
24 Alfredo Andersen Cláudia Maria Scheidt Maria Silvana Prado
25 Emiliano Perneta Newton Sabbá Guimarães
26 Olga Grechinski Zeni Mônica Grechinski Filipak VACANTE
27 Gumercindo Esculápio Luiza Maria Semkiw de Andrade
28 Virgínia Leite Robson Miguel Camargo
29 Olívia Maria Anciutti Gracia Luciano Farinha Watzlawick
30 Erasmo Piloto Charles Wikler
31 José Siqueira Rosas Eron Camargo Meyer
32 Bráulio Zarpellon Gaspar Valenga
33 Pe. Rui do Carmo Pereira Luiz Vanderlei Kawa
34 Carlos Thoms Luís Duílio Fíllus
35 Rosemary Lopes Pereira Josiane Aparecida de Deus Leite Ondina Pereira Ogg?????????
36 Affonso Antoniuk Adelmo Kremer
37 Rodrigo Neri do Canto José Maria Gracia Araújo
38 Ladislau Romanowski Guizelia Ivone de Almeida Wronski
39 Helena Kolody Mario Takao Inoue
40 Abílio de Carvalho Bastos Angela Rita Perussolo

Acadêmico Correspondente Júlio Marcos Bronislavski

Prêmios e Publicações[editar | editar código-fonte]

Referências

  1. «Fundação». Academia de Letras e Artes do Centro-Sul (ALACS). Consultado em 17 de fevereiro de 2022 

Categoria:Fundações no Paraná em 1936

Iniciaçao ao Sonho[editar | editar código-fonte]

Iniciação Ao Sonho
Luan Farigotini/Testes
Autor(es) Foed Castro Chamma
Idioma Língua portuguesa
País Brasil Brasil
Editora Editora Brand LTDA.
Lançamento 1955
Páginas 71
Cronologia
Melodias do Estio
O Poder da Palavra

Melodias do Estio[editar | editar código-fonte]

Melodias do Estio
Luan Farigotini/Testes
Autor(es) Foed Castro Chamma
Idioma Língua portuguesa
País Brasil Brasil
Editora Rio de Janeiro
Lançamento 1953
Páginas 143
Cronologia
...
Iniciação Ao Sonho

Sinopse[editar | editar código-fonte]

Crítica[editar | editar código-fonte]

[1]

[2]

[3]

Melhoramentos

neomodernista

Irati Paraná

Neomodernismo[editar | editar código-fonte]

Neomodernism is a term that has at times been used to describe a philosophical position based on modernism but addressing the critique of modernism by postmodernism. It is currently associated with the works of Ágnes Heller, Victor Grauer and Carlos Escudé and it is strongly rooted in the criticisms which Habermas has leveled at postmodern philosophy, namely that universalism and critical thinking are the two essential elements of human rights and that human rights create a superiority of some cultures over others. That is, that equality and relativism are "mutually contradictory".Predefinição:Citequote

History[editar | editar código-fonte]

Soon after the modern movement, reactions were formed based in the philosophies of Friedrich Nietzsche and Søren Kierkegaard. The reaction took on the name of existentialism, and was characterized by the phrase "existence precedes essence". Existentialism was followed by postmodernism, which embraced Nietzsche's critique of the will to truth, which is the standing characteristic of modernism. Neomodernists maintain that truth still exists in a universal form and directly refute existentialist and postmodern viewpoints that the essence of an existent is formed in the observer's bias. Neomodernists stand against the discrediting of the concept of authorial intent in postmodern hermeneutics. Instead, they state that a text written in simple terms can only have the meaning that the author intended, rather than finding that even the most straightforward text can have multiple interpretations.[carece de fontes?]

Associated individuals[editar | editar código-fonte]

Ágnes Heller[editar | editar código-fonte]

Ágnes Heller's work is associated with Moral Anthropology and "probing modernity's destiny for a non-predatory humanism that combines the existential wisdom of ancient theory with modern values."[4]

Neomodernism accepts some aspects of postmodernism's critique of modernism, notably that modernism elevated the world view of dominant groups to the status of objective fact, thereby failing to express the viewpoint of "subaltern groups," such as women and ethnic minorities. However, in her view, neomodernism rejects postmodernism as:

  • Unscientific: the ability of science to generate useful knowledge cannot be waved away as "scientism".
  • Journalism: as not giving any explanation as to how or why things happen.
  • Local: as being unable to recognize patterns that occur across time or location.
  • Unverified: as lacking any validation process, and therefore proceeding by fad and hierarchy.

Victor Grauer[editar | editar código-fonte]

In 1982, Victor Grauer attacked "the cult of the new," and proposed that there had arisen a "neo-modern" movement in the arts which was based on deep formal rigor, rather than on "the explosion of pluralism."[5] His argument was that post-modernism was exclusively a negative attack on modernism, and had no future separate from modernism proper, a point of view which is held by many scholars of modernism.[5]

Carlos Escudé[editar | editar código-fonte]

In "Natural Law at War", a review essay published on 31 May 2002 in The Times Literary Supplement (London, TLS No. 5174), Carlos Escudé wrote: “Postmodern humanity faces a major challenge. It must solve a dilemma it does not want to face. If all cultures are morally equivalent, then all human individuals are not endowed with the same human rights, because some cultures award some men more rights than are allotted to other men and women. If, on the other hand, all men and women are endowed with the same human rights, then all cultures are not morally equivalent, because cultures that acknowledge that ‘all men are created equal’ are to be regarded as ‘superior,’ or ‘more advanced’ in terms of their civil ethics than those that do not.” Escudé's brand of neomodernism contends with “politically-correct intellectuals who prefer to opt for the easy way out, asserting both that we all have the same human rights and that all cultures are equal.”

Andre Durand and Armando Alemdar[editar | editar código-fonte]

Published their own Neomodernist Manifesto in 2001. The Neomodern Manifesto posits criteria for a revitalised approach to works of art founded on history, traditional artistic disciplines, theology and philosophy. Durand's and Alemdar's Neomodernism views art as an act of expression of the sublime; in Neomodern painting as a representation of the visual appearance of things with correspondence to the physical world understood as a model for beauty, truth, and good. Neomodern works of art via mimesis interpret and present the universe and man’s existence, in line with the belief that the reality we live is but a mirror of another universe that can only be accessed through inspiration and imagination.[carece de fontes?]

Gabriel Omowaye[editar | editar código-fonte]

Gabriel Lolu Omowaye, in his speech 'A new challenging time' to a group of college students in Nigeria, in 2005, took a different approach to neomodernism. He viewed neomodernism as a political philosophy that became more prominent in the early 21st century. To him, it involves common goal and joint global effort - universalism - to address arising global challenges such as population growth, natural resources, climate change and environmental factors, natural causes and effects, and health issues. Omowaye posited that political will is the major driver of economic necessities. As a result, he added that neomodernism involves limited government-regulated liberalism along with high drive innovation and entrepreneurship, high literacy rate, progressive taxation for social equity, philanthropism, technological advancement, economic development and individual growth. He perceived the quest for equal representation of men and women in the neomodern era as a strong signal for advent of postmodernism. So also, the quest for youths engagement in resourceful and rewarding ways especially in governance, peace building and self-productivity has not taken a formidable shape than it is at this time. As far as he was concerned, he believed most of these challenges were not adequately tackled in preceding eras and the arising challenges thus stated were not prepared for and that cause for change in mentality and thinking which the neomodern era is providing for solutions to the era's challenges, with a prospective view to global stability and social inclusion. His philosophical thought premised on a fact that new times require new approaches from new reasonings, even if some applicable ideas or mythologies could be borrowed from the past, an acute form of paradigm-shift.

Omowaye believed in idealism as guiding realism and in turn, realism as defining idealism. Moral concepts cannot be wished away from social norms, but evolving social trends dissipate morality in form of religion and logical standards and adheres to current norms in form of 'what should be'. Consequently, the manner at which 'what should be' is driven at in the modern and postmodern eras, being widely accepted became 'what is'. The manner at which the damage of the new 'what is' is hampering development process in the form of higher mortality rate and decadence of cultural good, calls to question the ideology behind the norms that are less beneficial to a wider society in form of globalization. The world as a whole through technological advancement became a global community particularly, in the 21st century. Former Secretary General of the United Nations, Kofi Annan then stated that the "suffering anywhere concerns people everywhere". Champions of neomodern age such as Bill Gates and Richard Branson in the field of philanthropy expounded their vision to encompass the global community in social good such as alleviating poverty, eradicating diseases, enhancing literacy rates and addressing climate changes.

Technological advancement of the neomodern era however has its downturns in that it added to the decadence in cultural good such that people everywhere, especially high number of youths follow the trends in the new 'what is', which include social celebrities in the form of dressing, sexual activities, extravagancies, and less interest in learning and even, working but more interest in making money. Money became a value-determinant than utility. This brought about frauds in various sectors. This latter aspect is not limited to youths but even company executives, and politicians of many societies. Technological advancement has made privacy less safer for intrusion and people more safer for protection. The supposedly good of technological advancement in the neomodern era has included whistle blow such as Wikileaks' Julian Assange. The more good has been in the level of innovations and innovators it has sprung up such as Facebook's Mark Zuckerberg and easier business models and broader social connectivity. This latter part has lessened more amity in immediate environment and many people tend to live more in the virtual world neomodern technological advancements have created.

Neomodernism checks more into the current relative way of living of people and the society to correct necessary abnormalities and to encourage virtues and values within the global community in the 21st century.

In furtherance, Gabriel Omowaye's view of neomodernism was that knowledge comes from learning and experience, and wisdom primarily from intuition. Knowledge is a variable of set occurrences of that which happens to a man and that which a man seeks to know. Knowledge is vital and good for discretion but a minor part of discernment wherein what is known might not be applicable. Intuition is a function of the mind and the mind, not seen, and yet unknown to the carrier, is a function of what put the thoughts, ideas and discretion in it. Wisdom without knowledge is vague, and knowledge without wisdom, unworthy. Wisdom perfects knowledge, and in the absence of either, the sole is delusory.

Other uses[editar | editar código-fonte]

Predefinição:Also Neomodernism has been cited in law as applying to an approach which grants economic rights to indigenous peoples, but without restricting them to their traditional economic activities. Neomodernism recognizes the importance of the human side of organizations. People and their needs are put at the center and, with the recognition that the values and beliefs of people both shape and are shaped by their experiences of organizational life, comes an interest in areas such as organizational culture, leadership and management. McAuley John, Diberley and Johnson (2007) [6]

See also[editar | editar código-fonte]

References[editar | editar código-fonte]

  1. Carlos Newton Júnior. «Foed Castro Chamma / Pedra da Transmutação: A Alquimia da Palavra». Jornal de Poesia. Consultado em 15 de fevereiro de 2022 
  2. César Leal. «Foed Castro Chamma / Pedra da Transmutação». Jornal de Poesia. Consultado em 15 de fevereiro de 2022 
  3. André Seffrin. «Foed Castro Chamma / Poesia e Labirinto». Jornal de Poesia. Consultado em 15 de fevereiro de 2022 
  4. Chall, Leo P. (1952). Sociological Abstracts: User's Reference Manual. [S.l.]: Sociological Abstracts. p. 2040 
  5. a b «Modernism/Postmodernism/Neo-modernism». doktorgee.worldzonepro.com. Consultado em 20 de agosto de 2019 
  6. Shapovalov, Aleksandr (Spring 2005). «Straightening Out the Backward Legal Regulation of "Backward" Peoples' Claims to Land in the Russian North: The Concept of Indigenous Neomodernism». Georgetown International Environmental Law Review. Consultado em 12 de março de 2009  Verifique data em: |data= (ajuda)

Predefinição:Criticism of postmodernism

Category:Contemporary philosophy Category:Philosophical movements Category:Criticism of postmodernism Category:Modernism

Bibliografia[editar | editar código-fonte]

Concurso Literário Foed Castro Chamma Através do reconhecimento e apoio da Secretaria de Cultura (Patrimônio Histórico e Legado Étnico de Irati PR, União Brasileira de Trovadores - Seção de Irati, Centro Cultural Clube do Comércio e Grêmio Haicai Chão dos Pinheirais), o Concurso Literário Foed Castro Chamma[1][2][3][4][5], é desde 2012 promovido pela Academia de Letras, Artes e Ciências do Centro-Sul do Paraná (ALACS) [6] em comemoração aos 10 anos de fundação da entidade, em honra e memória do poeta iratiense Foed Castro Chamma[7][8][9][10][11][12]. Laureado poeta neomodernista[13]. Patrono da cadeira n° 9 da ALACS[14][15]. Vencedor em 1° lugar de importantes prêmios nacionais dentre os quais se destaca o Bienal Nestlé de Literatura Brasileira (1984) com sua obra prima Pedra da Transmutação a qual recebeu notáveis críticas e análises de destacados acadêmicos e críticos literários[16][17][18][19][20][21]. O concurso, já com algumas edições consecutivas, segue até os dias de hoje incentivando poetas, contistas, escritores a perseverarem no mundo das letras e das artes.

Ligaçoes externas[editar | editar código-fonte]

[10]

OOOOOOOOOOOO[editar | editar código-fonte]

Concurso Literário Foed Castro Chamma
Período de atividade 2012, 2015, 2020
Número de edições 3
Fundador(es) ALACS
Local(is) Irati Paraná
Gênero(s) Literatura

Referências

  1. «Concurso Literário Foed Castro Chamma». Prefeitura Municipal de Irati PR. Consultado em 16 de fevereiro de 2022 
  2. RSN. «"ALACS lança concurso literário comemorativo aos 10 anos"». Rede Sul de Notícias. Consultado em 16 de fevereiro de 2022 
  3. «III Concurso Literário Foed Castro Chamma». Falando de Trova. Consultado em 16 de fevereiro de 2022 
  4. «Concurso Literário Foed Castro Chamma 2020». Prefeitura Municipal de Irati PR. Consultado em 16 de fevereiro de 2022 
  5. «Notas Informativas ,Prefeitura Municipal de irati». Folha de Irati PR. Consultado em 16 de fevereiro de 2022 
  6. «ALACS ORG». Academia de Letras, Artes e Ciências do Centro-Sul do Paraná (ALACS). Consultado em 18 de fevereiro de 2022 
  7. «Foed Castro Chamma». Secretaria da Educação. Consultado em 15 de fevereiro de 2022 
  8. André Seffrin. «Foed Castro Chamma / Poesia e Labirinto». Jornal de Poesia. Consultado em 15 de fevereiro de 2022 
  9. «Curiosidades». Academia Paranaense de Letras. Consultado em 15 de fevereiro de 2022 
  10. a b Marco Lucchesi. «Poesia e Alquimia». Poesia. Jornal de Poesia. Consultado em 17 de fevereiro de 2022 
  11. Leontino Filho. «Foed Castro Chamma: a substância da coisa e seus efeitos». Jornal de Poesia. Consultado em 17 de fevereiro de 2022 
  12. Floriano Martins. «Foed Chamma: andarilho barroco e místico». Diário de Cuiabá. Consultado em 17 de fevereiro de 2022 
  13. O. Martins Gomes. «Foed Castro Chamma - Laureado poeta neomodernista». Revista UFPR - Artigos - PDF. Consultado em 15 de março de 2021 
  14. «Foed Castro Chamma». ALACS. Consultado em 15 de fevereiro de 2022 
  15. «Cadeira N° 09». ALACS Academia de Letras, Artes e Ciências do Centro Sul do Paraná. Consultado em 15 de março de 2021 
  16. «Foed Castro Chamma». ALACS. Consultado em 15 de fevereiro de 2022 
  17. CHAMMA, Foed Castro.Pedra da Transmutação. São Paulo: Melhoramentos, 1984.
  18. «Jornal do Brasil (RJ) - 1980 a 1989 - DocReader Web». memoria.bn.br. Consultado em 16 de fevereiro de 2022 
  19. CHAMMA, Foed Castro. Pedra da Transmutação. São Paulo: Melhoramentos, 1984.
  20. Carlos Newton Júnior. «Foed Castro Chamma / Pedra da Transmutação: A Alquimia da Palavra». Jornal de Poesia. Consultado em 15 de fevereiro de 2022 
  21. César Leal. «Foed Castro Chamma / Pedra da Transmutação». Jornal de Poesia. Consultado em 15 de fevereiro de 2022